some things I made this week

Banana and walnut cake (nearly all eaten in this photo!)...

Shell block-print make-up pouch...

 Knitting some grey cardigan and small blue mobile phone pouch...

block print tunic

I made a tunic dress/top at the weekend, with the help of my mother-in-law. I used some nice Indian block printed fabric that I bought a while ago at a great shop on Broadway Market called Our Patterned Hand. I checked their website and found that sadly they have since closed down.

I wanted to copy a tunic top that I already have, so drew around the outside of the existing tunic and made a copy out of an old bed sheet, to check that it would turn out alright. It looked ok, so we didn't bother to sew up the practice fabric, but traced it straight onto the block printed fabric that I wanted to use, and cut out the pieces.
We had to measure and guess a bit with the sleeves, as I didn't want to unpick the tunic I already have.

After a bit of sewing (and a lot of help with this from my mother-in-law), here is the finished tunic:

I'm really happy with the outcome as I like to wear long tops over jeans, and would like to make some more of these, perhaps out of fabric that I block print myself.

wood block printing workshop with Sarah Lawton

In July I went to a wood block printing workshop taught by artist-in-residence at East London Printmakers, Sarah Lawton.

Sarah had spent some time in Gujarat state in India, working on a collaborative project with local artisans (block print and embroidery) during an artist's residency. She shared some information about this experience and its outcomes - one outcome was an artist's book Sarah had made called A New Manifesto Ten Indian Insights and another was some garments that Sarah had block printed.

The first thing we did in the workshop was do some block printing on fabric using textile ink and blocks that Sarah had had made in India.

Then Sarah demonstrated carving plywood using Japanese woodcut tools, and the workshop participants each drew their own design on a piece of plywood and cut it out.

I printed my design of birds flocking, onto a piece of cloth. I didn't love the print, but I didn't come with a specific design in mind, this was just an image I had been thinking about so I could develop it more to make a better print. Also I found the plywood difficult to carve as I mostly just use lino when I do block printing. Lino cuts in all directions easily but with wood you have to follow the grain, especially with plywood - or it splinters.

During the workshop we also made a collaborative print on paper using Sarah's Indian wood blocks and gouache paints:

I found the workshop very interesting. Particularly hearing about Sarah's collaborative artistic practice and seeing some natural dyes which Sarah had brought back from India, which she said should work alright as printing pigments if mixed with a medium for textile printing. I love the idea of doing the whole printing process using organic sustainable materials such as natural dyes and wood (although lino is easier for me to carve). I've never tried mixing plant dyes with textile binder but I'd like to.

festival t-shirt printing workshop

Three weeks ago I taught a t-shirt printing workshop for children at the Blythe Hill Fields festival in South East London.

It was a good day.  I was in a crafts tent in the middle of the fields, with a great view down to Canary Wharf:

I started off using my embroidery hoop screens plus stencils - some made by me, and some from "Stencil 101" by Ed Roth and a Dover book of dinosaur stencils.

The children could choose a stencil, a selection of which I had taped to the back of the tent, and a colour of fabric paint, and they put a piece of newspaper inside a t-shirt and placed their stencil on the t-shirt where they wanted to print it. Then they used a plastic card to spread fabric paint over the embroidery hoop screen with the stencil underneath, and lifted up the hoop and stencil to reveal the print. Some children wanted to add hand-painted effects with a brush as well, which added a nice individual creative if messy element to the t-shirts.

Then, when it got busier, which it did particularly when it started to rain and everyone came into the various tents in the festival to shelter, I didn't have time to wash up the hoop screens and just gave out the stencils with brushes and fabric paint.

The children who participated made some great t-shirts and it was a fun day.

lichen curtains

I finally finished making the lichen fabric that I printed last year into curtains...

I deliberated over making them into curtains, as I'd started the print on grey linen but hadn't realised the linen was a remnant at the fabric shop where I bought it, and they didn't have enough left when I returned for me to make curtains.

However when we got a sofa that was more black than grey I decided the the print I had done on a second, darker fabric I had bought (denim) matched the new sofa well, so used it after all.

My mother-in-law did a lot of the sewing for me, as I'd never made lined curtains before, and she measured and attached the lining.  It then took me a while to get around to finishing them by hemming the curtains and lining, and attaching the curtain tape. But it wasn't too difficult in the end (just big, when you're used to only sewing small things like pouches and bags).

They're not perfect (my part of the sewing anyway! my mother-in-law's sewing together of the lining and curtain material was great), but now they're up in our living room and it's nice to see my print in use as curtains, similar to how I envisaged it.

So, in conclusion - if you print onto fabric, I'd recommend you to make your own curtains out of printed fabric, and I found a useful video on youtube which helped me to finish sewing them.

handmade screenprinting workshop

Last month I taught a workshop on handmade screenprinting in Peebles, near Edinburgh.

Firstly the workshop participants cut out paper stencils based on previous sketches they had made and printed these onto fabric, using screen mesh stretched in an embroidery hoop as a screen and printing with fabric paint:

Then participants prepared second screens using drawing fluid and screen filler stencils, and printed these as a second layer on their textile prints:

Some more prints:

...and more:

...and a selection of the final prints laid out on a table:

The aim was for participants to try out handmade screenprinting, and to make the base for a textile artwork that could be added to with embroidery or worked on further if the artist wishes.

The workshop participants came mostly from the Peebles Creative Space art group which meets regularly with their teacher, artist Claire Blyth.  They all worked hard throughout the workshop and I think they made a variety of beautiful and original textile prints.

nasturtium prints

I printed my nasturtium designs using paper stencils and a handmade screen-filler screen...

I printed the first layer using paper stencils under an embroidery hoop with screen mesh.  I used discharge paste to print these designs - it takes the colour out of fabric, to leave a negative-looking shape.

When you print with discharge paste you can't see the print, except as a wet mark where the paste printed.  Then you have to wait for it to dry, then steam it for about 20 minutes (e.g. in a colander above boiling water in a big pan - wrap your printed fabric in tea towels or some other fabric before putting it in your homemade steamer).  After steaming you can wash the print and that's when the discharge print appears, taking the colour out of the fabric.

After the discharge prints had dried, I printed on top of them with normal printing paste (orange screenprinting ink), with the screen I made previously using drawing fluid and screen filler.

I'm planning to embroider over these pictures and make more layers using stitch.