I was happy to take part recently in the East London Printmakers' Box Set 2014 - where 30 or so members each make about 40 limited edition prints then distribute them in boxes and each have a set of prints by each artist who took part. There are no constraints of medium (as long as it's print) or subject, only the size of the paper - about 30 x 30 cm.
I took part in a half-studio and half-handmade printing way - I exposed a screen with images for my screen print in the studio, as I don't have an exposure unit at home, but then printed it at home using the screen in some clamps I had previously fixed onto a wallpaper pasting table...
One of the images I had taken to the studio (my print had 4 layers) didn't expose properly, so I did have to make that design by hand on the screen as well - painting it with drawing fluid and screen filler.
I don't usually print 40 pictures at a time, and I don't have a drying rack, so to dry the prints looked like this:
Every surface in my living room was covered with prints. I had to keep the cats and my son out of the area for the duration of the printing session!
Prints...
...and prints...
...and more prints...
This is what the completed print looks like... I call it 'Green Birds.'
Friday, 19 December 2014
Friday, 31 October 2014
lino prints and stencil prints
In the last 2 weeks, in the fabric printing community class I teach, the students have been making lino prints...
and stencil prints...
Sunday, 5 October 2014
potato prints
Students in a fabric printing class I'm teaching started the term by making potato prints last week...
...these prints were made on paper with fabric ink (it's cheaper to experiment on paper than fabric), but potato prints can make effective block prints on fabric.
...these prints were made on paper with fabric ink (it's cheaper to experiment on paper than fabric), but potato prints can make effective block prints on fabric.
Friday, 26 September 2014
registering prints
I have an old two-colour lino block which I use to make a print I call 'berries.'
I've always found it hard to register the two colours when printing (to get the second layer to fit in the right place on top of the first colour) although the two pieces of lino are similar shapes. So I tried gluing the lino blocks onto pieces of wood the same size, and putting a pencil dot at the corner of the block (on the fabric) each time I printed, to try and line up the second block in exactly the right place on top of where the first had printed. But that didn't work - the two prints were often still offset.
So I decided to make up a screen with the same design, to see if that was easier to register...
I made two screens on mesh stretched in embroidery hoops, and painted with screen drawing fluid then coated with screen filler. When they were dry, I washed out the drawing fluid under the tap.
Then I printed the first layer using fabric paint and a plastic card to spread the ink. That printed fine.
Then the second layer, placing the outlines of the berry shapes by eye on top of the blue dots of the berries, by looking through the holes in the screen and wiping the screen with a cloth in-between each print.
It did work. The outlines of the berries are a bit thick - this was ok in the lino prints but looks a bit crude somehow with the screen print. I could paint the second design on a screen again, with a finer paintbrush, but at least this way I was able to register the outline (pink) on top of the blob-shaped berries (blue).
I've always found it hard to register the two colours when printing (to get the second layer to fit in the right place on top of the first colour) although the two pieces of lino are similar shapes. So I tried gluing the lino blocks onto pieces of wood the same size, and putting a pencil dot at the corner of the block (on the fabric) each time I printed, to try and line up the second block in exactly the right place on top of where the first had printed. But that didn't work - the two prints were often still offset.
So I decided to make up a screen with the same design, to see if that was easier to register...
I made two screens on mesh stretched in embroidery hoops, and painted with screen drawing fluid then coated with screen filler. When they were dry, I washed out the drawing fluid under the tap.
Then I printed the first layer using fabric paint and a plastic card to spread the ink. That printed fine.
Then the second layer, placing the outlines of the berry shapes by eye on top of the blue dots of the berries, by looking through the holes in the screen and wiping the screen with a cloth in-between each print.
It did work. The outlines of the berries are a bit thick - this was ok in the lino prints but looks a bit crude somehow with the screen print. I could paint the second design on a screen again, with a finer paintbrush, but at least this way I was able to register the outline (pink) on top of the blob-shaped berries (blue).
Friday, 19 September 2014
meditation and art
In 2012 I made this small print, 'body scan':
It's about how meditation anchors me.
I think meditation is helpful in life and art. I try to meditate every morning (but don't always succeed!). I like to meditate either on developing compassion or noticing the breath, and sometimes just a grounding body scan meditation where I focus my attention on my body and its connection to the earth, its weight on the ground.
It's relaxing and it increases my awareness. Part of making art is noticing and recording experiences and feelings, so increased awareness helps with this. Also, for me, art is transformative. When I express the thing that I'm trying to say through art, I can move on from that subject, in a developmental way.
Meditation or mindfulness and art are very much linked for me.
It's about how meditation anchors me.
I think meditation is helpful in life and art. I try to meditate every morning (but don't always succeed!). I like to meditate either on developing compassion or noticing the breath, and sometimes just a grounding body scan meditation where I focus my attention on my body and its connection to the earth, its weight on the ground.
It's relaxing and it increases my awareness. Part of making art is noticing and recording experiences and feelings, so increased awareness helps with this. Also, for me, art is transformative. When I express the thing that I'm trying to say through art, I can move on from that subject, in a developmental way.
Meditation or mindfulness and art are very much linked for me.
Sunday, 14 September 2014
some things I made this week
Banana and walnut cake (nearly all eaten in this photo!)...
Friday, 5 September 2014
block print tunic
I made a tunic dress/top at the weekend, with the help of my mother-in-law. I used some nice Indian block printed fabric that I bought a while ago at a great shop on Broadway Market called Our Patterned Hand. I checked their website and found that sadly they have since closed down.
I wanted to copy a tunic top that I already have, so drew around the outside of the existing tunic and made a copy out of an old bed sheet, to check that it would turn out alright. It looked ok, so we didn't bother to sew up the practice fabric, but traced it straight onto the block printed fabric that I wanted to use, and cut out the pieces.
We had to measure and guess a bit with the sleeves, as I didn't want to unpick the tunic I already have.
After a bit of sewing (and a lot of help with this from my mother-in-law), here is the finished tunic:
I'm really happy with the outcome as I like to wear long tops over jeans, and would like to make some more of these, perhaps out of fabric that I block print myself.
I wanted to copy a tunic top that I already have, so drew around the outside of the existing tunic and made a copy out of an old bed sheet, to check that it would turn out alright. It looked ok, so we didn't bother to sew up the practice fabric, but traced it straight onto the block printed fabric that I wanted to use, and cut out the pieces.
We had to measure and guess a bit with the sleeves, as I didn't want to unpick the tunic I already have.
After a bit of sewing (and a lot of help with this from my mother-in-law), here is the finished tunic:
I'm really happy with the outcome as I like to wear long tops over jeans, and would like to make some more of these, perhaps out of fabric that I block print myself.
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